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The Witch Of Willow Hall|Blog Tour & Review

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Title: The Witch of Willow Hall

Author: Hester Fox
Genre: Historical Fiction
Release Date: October 2nd, 2018
Publisher: Harlequin’s Graydon House Books
Format: Digital eBook / Print
Digital ISBN: B077MKGQLR
Print ISBN: 9781525833014

Add to your TBR list:  Goodreads

Available at:  Amazon  |  Barnes and Noble  |  Kobo  |  iTunes

Two centuries after the Salem witch trials, there’s still one witch left in Massachusetts. But she doesn’t even know it. For fans of The Rules of Magic by Alice Hoffman, A Secret of Witches by Louisa Morgan and The Haunting of Maddie Clare by Simone St. James comes an addictive historical debut about strange power, fierce love, family secrets, and how the past haunts us in ways that demand to be seen.

 

 

cover_The Witch of Willow Hall_Hester Fox_Graydon House Books_Oct 2 2018

Two centuries after the Salem witch trials, there’s still one witch left in Massachusetts. But she doesn’t even know it.

Take this as a warning: if you are not able or willing to control yourself, it will not only be you who suffers the consequences, but those around you, as well.

New Oldbury, 1821

In the wake of a scandal, the Montrose family and their three daughters—Catherine, Lydia and Emeline—flee Boston for their new country home, Willow Hall.

The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline.

All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end…

My review
*Thank you to Harlequin’s Graydon House Books, Barclays Publicity, and the author for this book. All opinions are my own.*

I’d been seeing this book around and really wanted to read it and jumped at the chance to participate in the Blog Tour.

This book follows the lives of three sisters who have to leave their home because of a scandal.It follows the mystery of Willow Hall and what happened in it.

I really enjoyed this book and the mysterious atmosphere it had.Although,I feel like this book didn’t have as much eeriness as I had expected.I also really liked the setting of this book as it was in the 1800 and it was interesting to see how things were in that time period. It was very slow to move with the plot and the Witch storyline but once that plot got going,it was done very well.I found many parts to be predictable and I guessed what the scandal was early on and another thing that happened later in the book.I liked that i could predict some things. It made me happy.One part I did not predict and was not happy with the outcome.It was very shocking and I didn’t expect it. I wanted there to be more magic in the book and it really wasn’t there the first half of the book. The last part made up for it though.

I liked the different characters especially Lydia and John Barrett.I enjoyed learning with Lydia what happened in the past and her ancestory.I didn’t like Catherine as she was very unlikable and not a good sister. The things Catherine did were predictable and it was easy to guess what she was going to do.

Overall, I liked many parts and it made me happy that I could predict things. I also really enoyed the romance and liked more parts than I disliked.

If you’re looking for a good Halloween read then this book is for you. It definitely felt like a halloween book even though it wasn’t as creepy as I expected.

4/5

If you wanna get a feel for how this book is I have an excerpt to share with you!

Excerpt:
Copyright© 2018 The Witch of Willow Hall
Hester Fox

Hello readers, I’m so excited to share an excerpt with you from my debut novel, THE WITCH OF WILLOW HALL (on-sale October 2, 2018). My name is Hester Fox, and hailing from Boston, I’ve always been fascinated with the rich and oftentimes dark history of this period. My novel takes place in a small New England town over 130 years after the infamous Salem Witch trials, and features a Gothic, melancholy atmosphere, restless spirits, and of course, resilient women. I hope you enjoy this excerpt I’ve pulled for you.

~*~

Gingerly, I get up, my legs full of pins and needles from sit­ting on the floor so long. Just like the night of the woman in the garden, I can’t stay in the library knowing that someone might be there. I must go and look for myself.

Even with the sun coming through the windows, illumi­nating the wood floors and catching the light of the crystal lamps, I feel as if I’m making my way through a dark, murky passage. My feet are heavy, as if they know something that my mind does not.

The door to the dining room is closed. It beckons me, yet repels me, exuding a sense of silent occupation. My ears buzz. A singsong chorus of whispers grows as I approach.

Are you ready?

I am here.

You attract them.

Are you ready?

Prepare for what lies ahead.

Prepare.

Prepare.

They mount and mount into a dizzying jumble of sound and I run the rest of the way to the door, my heart in my chest, my eyes squeezed shut. Grasping the knob, I fling open the door. The voices die away.

I knew it would be there. But it doesn’t stop me from gasp­ing as every part of me curls back in on itself in horror. My blood turns to ice.

Seated at the table is a woman, or what used to be a woman. She sits as if she has every right to be there, as if she has always been there. A veil covers her face, but it is gauzy and thread­bare, and I can see the contours of the features beneath. Her dress is old, black as night yet opalescent as the moon through a cobweb. Paralyzed with fear, I watch as it moves about her of its own accord, a soft undulation as if she were underwater. And though I can see her as clear as day, the veiled woman in our dining room, there’s a translucence to her, and the pan­oramic wallpaper is just visible behind her. She is like nothing and no one I have ever seen before, and yet she is familiar, as if I have always known her.

“Come, child.” Her voice comes from everywhere and no­where, and when her words are finished, I have the unnerving feeling that they weren’t spoken aloud at all, but came from within my head.

She beckons me with a knobby finger, more bone than flesh.

I can’t drag my gaze away from her face, the sunken holes where there ought to be eyes, the lipless mouth, all teeth and blackness. The cold pie that I just enjoyed churns in my stom­ach and threatens to come up. She beckons me again, and I imagine those long, terrible fingers closing around my neck and choking the life out of me. I imagine them raking me across the face until ribbons of skin flutter from my skull. I stand my ground, unwilling to deliver myself up to her. She is the stuff of my novels, a grotesque horror that titillates on the page, but sends terror into my heart when in the same room as me.

She gives something like a grunt, and as if able to read my thoughts, says, “One hundred and thirty years of death is not gentle on a body. Come, do not gawk.” I dare not disobey her, so I force my leaden feet to move a few steps closer.

The smell of decay and death fills the room, sickly sweet and putrid at the same time. My stomach clenches at the memo­ries the odor brings back of Emeline in her coffin. My throat is tight, my mouth cotton, but somehow I’m able to gasp out, “W-who are you?”

She makes a noise, something between a snort and a laugh, a scraping, rattling sound, though it’s devoid of humor. “Do you not know your own forebear?”

The blackness of her dress curls around her like a snake, but she sits as motionless as if she were carved of stone. Her still­ness is suffocating, it dares the house to be silent, and punishes the sunlight for filtering in through the window.

Warily, I come to a halt at the edge of the dining room table. I don’t know what she’s talking about. “Forebear?”

“Have you not looked upon me since you were a babe? Do you not recognize in me what flows through you?”

“I…” But then it comes to me. The lace collar, though tat­tered and black as her dress, is unmistakable around her neck. “You’re the woman in the painting. Mother’s ancestor.”

The inclination of her head is small, barely perceptible.



Giveaway:

Harlequin’s Graydon House Books is offering one lucky Grand Prize winner a fun witch themed prize pack containing a paperback copy of The Witch of Willow Hall, a pumpkin spice scented candle, a Witch’s Brew coffee cup, a witch’s hat, a witch’s wand, and a bottle of black nail polish! Four (4) Runners-up will receive an eCopy of The Witch of Willow Hall. To enter for your chance to win one these great prizes, please fill out the Rafflecopter link below:

giveaway_The Witch of Willow Hall


About Hester Fox:

Author photo_Hester Fox_credit Stephanie Patalano Photography

Hester Fox has a background in the museum field as a collections maintenance technician. This job has taken her from historic houses to fine art museums, where she has cleaned and cared for collections that range from paintings by old masters to ancient artifacts to early American furniture. She is a keen painter and has a Master’s in historical archaeology, as well as a background in medieval studies and art history. Hester lives outside of Boston with her husband and their two cats.

Connect with Hester:  Website  |  Twitter  |  Facebook  |  Goodreads  |  Amazon  |  BookBub


I’m also using this post as a blogoween post as it’s a creepy book!


Have you read this book? What did you think?

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